Wednesday 24 November 2010

Narrative Theory - Sherk

Objective: To be able to show an understanding of what narrative theory is and knows the difference between Propps theory and Todrov’s theory

Lesson Outcomes:

All: will be able to describe the different points of the theory (E)
Most: will be able to explain the different theories with appropriate examples (C)
Some: will be able to use media language effectively to discuss the purpose of narrative theory with a variety of examples (A)


Prince Charming – He is important because he has introduced in the film in the opening sequence straight away. Also he is telling the audience about himself straight away and all the different events and obstacles he has had to overcome.
 



Sherk - Sherk is important because after they show them hero or prince charming they show Sherk and the audience is thrown of track and now they show Sherk’s side this is because the audience now think that Sherk is the hero. They also see his side of the story about how he got the princess.


Princess Fiona – She is introduced at the beginning to show the importance of her character and they type of relationship she has with Sherk this is so that the audience know what is going on in case they did not watch the first Shrek.



Donkey – Donkey fits into the narrative and he important in the film because Donkey and Shrek are best friends so they in the genre of the film.

King – Follows the narrative of typical children’s film

Queen -  follows the typical genre of a children’s film and helps the narrative




Narrative Theory – Todorov’s Theory

Objective: To be able to show an understanding of what narrative theory is and knows the difference between Propps theory and Todrov’s theory

Lesson Outcomes:

All: will be able to describe the different points of the theory (E)
Most: will be able to explain the different theories with appropriate examples (C)
Some: will be able to use media language effectively to discuss the purpose of narrative theory with a variety of examples (A)
Tzvetan Todorov’s: simplified the idea of narrative theory whilst also allowing a more complex interpretation of film texts with his theory of Equilibrium and Disequilibrium.
There are five stages the narrative can progress through
§  A state of equilibrium (all is as it should be)

§  A disruption of that order by an event

§  A recognition that the disorder has occurred

§  An attempt to repair the damage of the disruption

§  A return or restoration of a NEW equilibrium
Aristotle
  • Headings that are used by some producers and screenwriters include:
  • Inciting Incident
  • Dramatic Question
  • Character Goal
  • Antagonist/Protagonist
  • Stakes
  • Resolution
  • Sympathy/Empathy
These headings are very close to those suggested by the father of narrative theory, Aristotle
Aristotle's literary criticism is probably most famous for the "unities": time, place, and action. Aristotle's most complete analysis is of 'tragedy', which is arguably the basis of most 'serious drama'.

Narrative Theroy - Propps Theroy

Objective: To be able to show an understanding of what narrative theory is and knows the difference between Propps theory and Todrov’s theory
Lesson Outcomes:
       All: will be able to describe the different points of the theory (E)
       Most: will be able to explain the different theories with appropriate examples (C)
       Some: will be able to use media language effectively to discuss the purpose of narrative theory with a variety of examples (A)
Narrative: narrative is the organisation given to a series of facts; we connect events and make interpretations based on those connections. In everything we seek a beginning, middle and an end.  Each text becomes part of the previous and the next through its relationship with the audience.
       Narrative Conventions: When unpacking a narrative in order to find its meaning, there are a series of codes and conventions that need to be considered. When we look at a narrative we examine the conventions of
       Time
       Genre
       Characters
       Form
Film as Fairy Tale
According to Propps theory the characters have narrative function they provide a structure for the text
Characters that perform a function
       The Hero – a character that seeks something


       The Villain – who opposes or actively blocks the hero’s quest


       The Donor – who provides an object with magical properties


       The Dispatcher – who sends the hero on his/her quest via a message


       The False Hero – who disrupts the hero’s success by making false claims

       The Helper – who aids the hero

       The Princess – acts as the reward for the hero and the object of the villain’s plots


The Complication
       A state of disorder
       The villain harms a member of the community/kingdom/family
       One of the members of the community/kingdom/family desires something
       The hero is sent to get what is desired
       The hero plans action against the villain
Transference
       The hero leaves home
       The hero is tested or attacked/ he meets the test and is given a magical gift or helper
       The hero reacts to the donor
       The hero arrives at the place he can fulfil his quest
Struggle
       There is a struggle between the hero and the villain
       The hero is branded
       The villain is overcome
       The state of disorder is settled
Recognition
       The hero is recognised
       The false hero or villain is unmasked
       The false hero is punished
       The hero attains the reward (princess/ kingdom)








Thriller Theory

Here is another example of Propps theory taken under my own consideration and put into a thriller version. the film I have chosen to look at and apply the theory to is The Dark Knight, the reason I chose this film is because I can identify the character well and they can be easily analysed 


The Hero


The Villain


The Donor - Helps the Batman build his gadgets 


The Dispatcher - Tells the Batman about the Joker


The False Hero - Pretends to be bigger than the Joker but eventually dies


The helper - Helps the Batman create antidotes and helps out around the house and the bat cave for the Batman



Tuesday 16 November 2010

Smart Shooting

Objective:  to identify conventional shots to create a successful thriller film
Outcome:
All: will be able to explain at least two effective shots for a Thriller film
Most: will also be able identify three or more effective shots for a thriller film and refer to other thriller films
Some: will be able to use media language effectively to explain the purpose of 5 or more editing styles
Task 1:
Consider and create a web of all of the conventions you can think of for a Thriller film
·         Establishing shot
·         Low key lighting
·         Over shoulder shot
·         Shock
·         Suspense and Tension
·         Narrative
·         Costumes
·         Body positioning
·         Villains
·         Close up
·         Hero
·         Character representation
·         Surprise
·         Props
·         Facial expressions
·         Mise – en – scene
·         Colours
·         Victim
·         Death

Task 2: Watch the extracts of the film and make notes on:




·         Low key lighting
·         Tracking
·         Close up
·         Non – diegetic – scary sounds which builds tension
·         Flashback – tells us the narrative
·         Straight cuts
·         Body language – she is like a zombie, she does not care
·         Music builds up – to create suspense – the melody changes to fast
·         Location – a hospital – helps set up the scene
·         The music builds up when Mike Myers appears this builds up suspense
·         Normal events take place as well, to contrast with the other scene
·         Slow editing builds suspense and tension
·         A shadow which helps creates mystery
·         A point of view – to see what the characters are going through the characters eyes
·         When the music was building up when she went to remove his mask this was building suspense
·         People walking past the camera makes us feel uneasy  because we do not know what is going on
·         Body positioning – she is hunched herself this tells us that she keeps herself to herself and maybe that she is feeling insecure
·         There emphasise on the flash back because it was fast and slow editing
·         High key lighting to cast loads of shadows in the room – the music changes with the movement that characters to keep the audience involved and feel like they are in the movie

This my own analyse of Smart shooting from another Thriller film: The Matrix


·         Tilt – this is so that the audience can see the main character in a new transformation such has his new clothes and new look this keeps the audience involved
·         High key lighting – this is to make the place look realistic and a new place
·         The camera on the floor – just shows the character entering through the door
·         Non diegetic sound – the sound behind the film is a upbeat song, the song is also in sync with his footsteps because every time he takes a foot step the beat drops
·         Two shot – introducing another character – the security guard
·         Straight cut from when the bag goes into the checkout point – then there is straight cut to the alarm this gives the audience and awareness and the plot is starting to build up
·         Long shot to show all the security guards taking awareness of the alarm going off
·         Mid shot – when the main character opens his jacket
·         Reaction shot – when the security guard sees what the main character is in his jacket this is to make the movie look realistic
·         Slow motion – when the guard goes flying into the air this is to show emphasise on the strength Neo has
·         Fast paced – just as Neo pushes the guard with one hand
·         Reaction shot – when the guard goes flying in the air the other guards look up
·         Silence – all you can hear is the machine gun shooting this is to add emphasise
·         Mid shot – there is a reaction shot when the guard is speaking on the walkie-talkie
·         Reaction shot - when the alarm goes off and the security guard looks another character is introduced
·         Straight cut – when Neo takes cover and then it goes to the guard
·         Mid sot when the Trinity enters they have a mid shot to show what she has in her hand which is a gun
·         Bird’s eye view – this is to show the audience what has just happened and what the area looks like with the dead security guards – this is too keep the audience interested and more involved and prepared for more action to come
·         Non Diegetic sound – the sound begins again, the same sound from when Neo first enters the building
·         Two shot – when Neo and Trinity come together and Neo pulls out two more guns – this tells that audience that it is not over and that more action is to come
·         Silence – after the guard says “freeze”. There is silence this is to show the anticipation of Neo and Trinity
·         Close up – there is a close up of the guard to show his facial expressions which is worried because he is shaking
·         Reaction shot – the guard speaks and Neo and Trinity look at one another and make a break for it
·         Straight cut – when Neo and Trinity are walking. Then there is a straight cut to show the security guards enter
·         Shot reverse shot – there is a shot reverse between Trinity and the police guard – When Trinity is running, and the guard is trying to shoot her.
·         Slow motion – when Trinity is running on the wall they play slow motion so that the audience feel more involved this also offers escapism to the audience because this is not true
·         Fast editing – when the guard is trying to shoot Trinity down this is faced paced because this make the audience wonder will he actually get Trinity?
·         Close up – when Trinity survives this is to show her facial expressions, but she is wearing glasses which makes her mysterious
·         Close up – of the bullets dropping to the floor
·         Slow motion – when Neo is shooting the guards, this is to show the highlight that he is on target when shooting the guards
·         Long shot – when Neo does a cartwheel in slow motion this is to show the strength of Neo and to give the audience a clear view of what is happening
·         Non diegetic – the soundtrack behind the action scene is very upbeat this so that it matches the scene because it follows the generic conventions of a thriller / action which is upbeat but has musical instruments such as Piano / Violin / Chelo and the strings